Category Archives: Photography

Night Vision Photographers

I have horrible night vision. I have no problem telling you that. So when I am photographing at night I can barely see a few feet in front of me.

So how do I get around it?

Great question!

Night Vision Photographers

When I know I will be photographing something at night I always pack one tool with me. A laser pointer.

With it I can put a bright dot on an object (my subject) in the distance. Then I can focus easily in pitch black, because my eye and the camera is seeing a point of contrast.

I recorded a video for The Arcanum talking about this, so I figured I’d share it here as well.

So next time you are in need of night vision assistance, grab a laser pointer and try that on for size. Just please keep them away from people’s eyes as it can cause permanent damage.

The photograph and the video were made at Oakland Valley Campground in Port Jervis, New York. The river is the Neversink River.

Thanks for reading and happy shooting,
Scott

Hands Filled With Love

It’s a really nice feeling, as a photographer, to photograph a couple’s engagements photos and then be asked to photograph their maternity photographs as well.

Baby Lucca is now here, but before he entered the world I met the couple at Longwood Gardens in Pennsylvania where the engagement photographs were made as well.

hands-love

We worked our way around the grounds for some scenic photographs.  Then we went indoors and I found a spot perfect for the photograph you see here, which was also the last photograph of the day.

It’s always good to save the extreme closeup photographs until the end because at that point people are tired of posing.

So while the couple looks happy about having a baby (which they totally were of course), they were also happy that the day was done and they could go home to relax.

Those hands were filled with love for their new baby, who is now here and is extremely cute with a full head of hair.

Come On, Walk On By

Street photography as an introvert or ambivert is different than street photography as an extrovert.

As a ambivert you wait, patiently, waiting for some to walk on by.

As an extrovert you go out of your way to make sure the photograph is exactly how you want – by means of deeper interaction with the person in the photograph.

walk-on-by

In the photograph you see here I happen to be waiting, but didn’t have to wait long. I photographed it in a busy section of New York City so my wait about a minute before I noticed the woman walking towards exactly where I needed her.

As an added bonus, the woman was wearing all black which worked out well because the building went from bright to dark from the top to the bottom.

Patience is an amazing thing.  In a way it allows you to plan more even in a situation you have little control over.

Thanks for reading and happy shooting,

Scott

Eerie Georgia

You might recognize this view from another photo of my, What Floats By, which was also featured on the Really Right Stuff blog.

This is another view, from a different spot.

I went for a more punchy and contrasting processing style for this one to change things up.

eerie-georgia

I call this Eerie Georgia because, well, look.  It’s such a creepy view but yet beautiful at the same time.

The greens are vibrant but I would not want to be swimming in that.

What lurks beneath the eerie Georgia swamp?

Thanks for reading and happy shooting,

Scott

Shadows, Light & Mystery

While I was up in Massachusetts a while back I was photographing a Historic Mill during my friend Bob’s workshop.

I spent a lot of time playing with shadows and light, bracketing in certain places and doing long exposures in others.

shadows-light

The photograph here is one where I noticed some really fun shadows coming through the broken walls of the floor I was on.

Then I noticed the doors with the sign that says Exit. I thought, “where does it lead?”

So with that all said, enjoy this photograph and the mystery of what’s behind the doors.

Thanks for reading and happy shooting,
Scott

Take a Stand, Start Taking Steps

Take a Stand, Start Taking Steps

photo by Gevon

Like many other photographers, I sometimes grab the zoom lens to make shooting a job easier.

But in the middle of job, and many times after, I question whether I actually did make the job easier.

So which is it?

You see, a zoom lens makes it easy to make a photo at a variety of distances without moving much.  That’s convenience with a price.  One of the prices of owning a zoom lens like a 24-70 f/2.8 or a 70-200 f/2.8 is a hefty price tag many times well over $2,000.

Another price is the weight of such lenses.  Yes the quality of the glass is impressive, but carrying the two heavy lenses is actually a greater weight than carrying four small prime lenses, also f/2.8.

In order to get the aperture to f/2.8 in a zoom lens, manufacturers have to make the physical size of the lens larger in addition to the diameter of the glass.  So where a prime lens might accept a 55mm filter, a zoom lens would be closer to 72mm to 77mm.  That variation in glass diameter goes a long way for weight.

Depending on the project at hand, I have two different setups that I’ll typically use.  We’ll call this setup A and setup B.

For both project setups I’ll be using a Nikon D800 as the example.  The only things changing will be the lenses.

Project Setup A

This setup might be for an engagement session where I know that I’ll be moving around a lot but the couple will be walking further away from me.

I bring the 1.7x extension because the 1.7x has better clarity than the 2.0x for the newer Nikon lenses. Sometimes I also bring my Nikon 105mm Macro lens, but it’s rare that I need it for portraits.

Project Setup B

This setup is when I want to challenge myself, I’m shooting landscape or street photographs or want the stunning bokeh and quality of simple prime lenses.

The extension was a hand-me-down from my grandfather and it happens to work with all the older Nikon lenses, which is a beautiful thing.  Auto focus does not work when using the 2x extension.

The Challenge

At this point you may be wondering why I am telling you all of this.  Why share my zoom vs prime configurations.

Well, you see, we need to challenge ourselves more.  We need to move our feet more.  We need to think outside the zoomable box.

We need to decide when to take steps forward and back.

So now it’s time for me to challenge you.

If you’re the type of photographer who tends to lean more towards the zoom side of lens choices, but happen to also own a prime lens.  Remove the zoom and slap on the prime.  Go for a photo walk and start practicing with the single focal point again.

Next time you have a job to shoot, use the prime and make it magnificent. Enjoy the process of thinking, moving and shooting.

Plan ahead of time and know what prime lens(es) to bring with you.  Make magic and make it awesome.

Thanks for reading and happy shooting,

Scott

By The Time I Was 32

By the time I was 32 my life was in a direction I could have never predicted.

All my life I have been dealing with color blindness. It’s subtle, not severe. However, it’s still an obstacle to adjust to.

As a photographer, color blindness has no advantage or benefit. Only more struggles and confusion. So I adjusted. I found a way to deal with not seeing perfect color. I used tools and asked for help.

I had no idea I was dyslexic until I was nearly finished with high school. Never in a million years did I think that I would write for a living. In fact, I first went to college for music before deciding on photography as my career path.

But somehow I wound up a full-time blogger for a WordPress development company. Somehow I wound up self-publishing multiple eBooks and getting published by other companies. Never in a million years did I think people would read my words, however they might come out.

But people do. People read words written by a dyslexic writer.

…and they enjoy it.

For what it’s worth, my eBooks were published by Flatbooks and Peachpit Press.

In high school I was bullied. Badly. So bad that I was nearly to the point where I could have really hurt someone back. Hurt them far worse than how they hurt me. I was struggling. I was keeping it in. I exploded, but it was minor, and could have been worse.

I now don’t care what others think or say. I learned lessons, grew thicker skin, and grew up — far past it all.

I am now successful where I am, in my job, in my life. I have a family I love and I’m surrounded by people who love me back.

I take pride in my work. I put my energy into my photography and other things I enjoy doing. I care about others.

I never bully.

I am 32

June 9, 2014 is when I turned 32. It’s an interesting age, and not one that many talk about. Usually people talk about 13 for bar/bat mitzvahs, 17 for licenses, 21 for drinking, 30 for milestones and so on. But I’m 32 and I have been through a lot. I have dealt with a lot. I have grown a lot.

By the time I was 32:

  • I have traveled (and will keep traveling)
  • I started my own family
  • I found a job that I love
  • had three eBooks published
  • I own a house
  • I have a group of friends that I love
  • I have two beautiful cats

I have also lost two grandfathers, a father. So not everything is so peachy. But life is happening. I’m looking forward to the next milestone.

By the time I was 32

Thanks for reading,

Scott

An Open Letter To The Adobe Lightroom Team

adobe-lightroom-splashDear Adobe,

Adobe Lightroom is my favorite workflow tool for my photography.  Not only that though.  It is the software I use for 99% of my photo processing.  You have made it so extremely useful and efficient to stay organized and work my way through editing photographs.

No matter what other software I try, I always return to you.  But since version 5, and especially with version 5.6 our relationship has turned to the rocky side.  If there was a perfect competitor out there I’d break up with you in a heartbeat, but there isn’t one.  So we’re stuck together.

Our relationship isn’t monogamous and the many other photographers you’re married to also have similar complaints to those of mine.

My frustration really began with version 5.0, as noted earlier.  As soon as I upgraded I started noticing various speed issues.  After first opening Lightroom 5 everything runs smooth, but then it begins to slow down, further and further.   The upfront speed boost has degraded in Lightroom 5.6 and now it lags even with small JPG files created by a simple point and shoot camera.  That, my dear Adobe team, should never happen.  I can understand a slight lag with RAW images, but JPGS? Come on now.

I recently decided to vent my frustration on Facebook (yea I know), so I posted the following:

Adobe Photoshop Lightroom is the best editing and workflow software I’ve ever used for photographs. It is also a pain in the ass. Damn you Adobe for not making it faster. 2.6GHz i7, 16GB of RAM, All files and caching on internal SSDs and you still lag? Really???

An Open Letter To The Adobe Lightroom Team

I apologize for the foul language, but I am at the end of my patience with Lightroom.

That’s right, here are the specs of my brand new MacBook Pro:

  • Processor:  2.6 GHz Intel Core i7
  • Memory: 16 GB 1600 MHz DDR3
  • Graphics:  15-inch (2880 x 1800) NVIDIA GeForce GT 750M 2048 MB
  • Software:  OS X 10.9.4 (13E28)
  • Storage: 1TB Flash Storage (ie., SSD)

I keep my catalog files, caching, smart previews and 1:1 previews all on the internal SSD drive of my MacBook Pro.  The photographs I am working on (at any given moment) are on the internal SSD drive.  Photographs that are no longer being edited (archived) are stored on an external Thunderbolt 2 RAID drive.

There is no reason for a RAW file to take over 10 seconds to load.  Or for a JPG image to take more than 2 seconds to load.   This happens with all plugin modules disabled as well, so it’s not that.  It’s also not Lightroom Mobile Sync.  I have also been through support and completely rebuilt my catalog two times due to a random error I was receiving after upgrading to Lightroom 5.6.

I mentioned already that others you’re married to also have similar issues.  I thought I would share some of the replies I received to my rant on Facebook.  Here goes:

It still lags on my new Mac Pro too. 8core 32gb ram and 1tb SSD

Just EATS RAM. I have 20gb and after an hour of editing I’m running less than a gb available. It’s all inactive!

Same here Scott. 2.7ghz, 16GB Ram here. As soon as I open LR it immediately grabs over a gig of ram according to activity monitor. And it is quickly up from there until my system grinds to a halt. Completely insane. I understand why PS is so slow and such a ram hog. It includes a lot of legacy code. But LR? There is no reason for it to run so badly.

I never had any issues until I started importing everything into LR now I run into all sorts of problems. I think what I will start doing soon is import into Bridge and do final edits in LR.

There are days that I wish I could meet Lightroom at the bicycle racks after school just so I could punch it in its laggy memory eating stomach. Today is one such day.

I also experience the issue in the develop panel as mentioned in the Adobe forums, but for the most part my frustration comes with simply browsing through newly imported photographs with 1:1 previews already created.  That means no edits, no lens correction, spot removals or anything whatsoever.  In fact, look at what onOne Software is doing with their new Fast Browse feature.  That’s the simple act of culling through photographs with no edits.  Amazing.

Before wrapping up this letter I want to share something heart breaking.  I teach Adobe Lightroom to photographers privately and in a classroom setting.  When Lightroom lags, as it does daily, while I am teaching in either setting it doesn’t look good.  It doesn’t look good for me or for you.

So Adobe, my friend, my photo workflow love, I beg of you.  I’m on my knees asking with open arms and a huge grin…  Please find a way to speed up Lightroom in the next version.   For one, add scratch disk and performance control like what Photoshop has.  I am not a developer so I can’t really offer any other suggestions than that.  But I hope that you will take my letter seriously and look into it.  Because this is a serious issue that you and I have, and you have with other photographers.

Your loyal friend,

Scott

Street Photography eBook – Ambivert’s Guide to Street Photography

I would say for the most part, people puruseing street photography are extroverts.  That means that they are wired for the outgoing interaction that is typically associated with street photography.

But what many people don’t realize is that some of the best and most famous street photographers were introverts.

Here is a great video on introversion in photography from CreativeLive.

I consider myself a borderline introvert and extrovert, which is then categorized as an ambivert.  Since I show signs of both forms I feel extremely comfortable in certain situations and the complete opposite in others.

My love for street photography doesn’t get pushed aside due to my introversion.  In fact, I utilize my own skills and knowledge of myself to improve on my street photography, and enjoy it.

Street Photography, Introverts & Ambiverts

While I was writing Go Wider with Panoramic Photography I was inspired by TED talks and personal experiences I had about being an introvert.

You see, I love street photography but I could never understand how photographers could randomly walk up to strangers and photograph them.  So I taught myself a different approach, as an introvert.  But I’m not just an introvert.  I am with certain things, but not others.  So I call myself an ambivert.

Somehow this was the easiest book for me to write.  It could be that it’s because talking about being an introvert and ambivert is more natural.  But it could be that I just enjoyed it the most.  Who knows!

So I sat down and wrote about being an ambiverted photographer and eventually finished with my new ebook, Ambivert’s Guide to Street Photography.

I sent the ebook over to Flatbooks to gauge the interest and they loved it.

Here is the summary of Ambivert’s Guide to Street Photography:

The typical street photographer is an extrovert and doesn’t mind getting up-close and personal with random people on the street. But what about the introverted photographers that want to try street photography? In the Ambivert’s Guide to Street Photography you will learn how to enjoy street photography and handle the uncomfortable interaction that is sometimes involved with street photography, whether you are an introvert, extrovert or borderline extrovert, or an ambivert.

In the Ambivert’s Guide to Street Photography you will learn how someone who is introverted or borderline extroverted (or an ambivert) can enjoy street photography without the uncomfortable interaction normally faced with street photography.

You will read about how I came to realization I was am ambivert, what type of equipment you could use for street photography, and techniques that I use when walking around.

flatbooksamazon kindleApple iBooks

The eBook is now available in my photography ebook store and is also available directly from Flatbooks, Amazon or from the iTunes store as an iBook.

I hope you check it out.  Thanks for reading and happy shooting,

Scott

In The Darkness The Moss Will Grow

darkness-moss

Sometimes it’s hard to tell when something is man-made or Earth made. This mossy wasteland is actually underneath a man-made walkway at the Cape May Zoo. There are no zoo rides or attractions in the water. Only wildlife (not even part of the zoo). This water separates the caged animals from the open range animals like giraffes.

While all the tourists were walking by headed to see more animals, I stopped for a bit to admire the moss and stillness of the water. It was a bright sunny day so I decided work some post-processing magic to make it more dramatic.

In Lightroom I dropped the exposure and cooled the tone down. Then I used the select color enhancement tool and brightened the moss. To finish it off I used the brush tool to add sharpness and clarity to the trees, added a slight vignette and 16:9 ratio cropping to add the cinema look.

In The Darkness The Moss Will Grow…

Thanks for reading and happy shooting,

Scott